here's a few postings ... see myspace for more up to date listings

'The group's swagger comes from the innate chemistry in its swinging rhythm section ... with Duncan's sneering vocals, jagged guitars and socially charged lyrics leading the charge.' - Chicago Tribune

'Bassist Collin Jordan and drummer Brian Lubinsky's syncopated interaction is quite rewarding, and Chase Duncan's droning, arpeggiated guitar is an ideal counterpoint. ... "Powerlines" is one of the best songs I've heard this year.' - Under The Radar

'Part of what made late '80s/early '90s indie rock so great was its seemingly limitless boundaries ... there are still bands like the Interiors with the same spirit as those early indie bands. ' - Cleveland Free Times

'This album is solid all the way through. Each song has it's own personality, but the album has a cohesive feel.' - Manual Dexterity Magazine

'The album's highlight is without question the primal, perfect "Ghosts"' - PopMatters

'The highlight of the album is the song Power Lines. It is grand in every way.' - Gapers Block

'... there is one way to sum up their album. It is great. This is easily one of the best debut albums I have heard in a long time. ' - The World Forgot

'All in all, expect to see this on my great albums of '08 list..' - Either / Or

'The overall feeling is of an indie classic in waiting.' - MP3Hugger

'The Interiors have a sound all their own and this summer, the world will fall in love with it. ' - Orange Alert

'The band's self-titled album is exactly as they promise: 11 songs, no filler. 11 really, really, undeniably good songs' - AM 180

'Let me make it simple. The Interiors are a guitar rock band. They are from Chicago. They are awesome.' - Can You See The Sunset From The Southside

'Ah, Chicago ... it's been a while since you produced a great guitar rock band. Songwriters, alt country, hi hop - you're covered there, but where is the rock? Oh, hey - here it is! Enter The Interiors, a trio of slackers-come-serious students of rhythm's effects on dissonant melody and self-searching counter melody. Next month they'll release a self-titled debut LP on Michigan indie 54-50 or Fight, and interest in their fascinating brand of shoegaze, 60's garage pop, and whiteboy reggae is on the verge of piquing. ' - No Dessert For You

'There are so many great things about this song (Power Lines) it would take a review of encyclopaedia proportions to do it justice. The obvious crowd pleasing moments would have to include Chase Duncan's cool slacker vocals and Brian Lubinsky's refreshing off-kilter drumming but the overall feeling is of an indie classic in waiting ... The forthcoming album is awash with great singles like the slow burner with a jangling heart 'Crashing Through', the low slung shuffling rhythms of 'All The Cities' and the rapid-fire gunslinger that is 'Ghosts'. The Interiors have serious designs on your attention and if you know what's good for you you'll recipricate.' MP3Hugger

'The Interiors have big plans for 2008. Rightfully so, their self-titled debut album is a turbulent lesson in rhythmic rock, filled with interesting drum patterns, calculated guitar, and inventive lyrics. The highlight of the album is the song Power Lines. It is grand in every way, from the fade in open to the sing-along chorus to the idea that you can knock out everyone's cell phone reception by touching a satellite.' - Gapers Block

(on Power Lines) 'One of the things that I think makes the rhythm here so ear-catching is the dynamic interplay in the rhythm section: listen in the introduction and the verse to the stark difference between the steady, clockwork bass and the changeable drum pattern. Interestingly, the bass breaking free of its strict pulse is more or less what creates the chorus, as the melody itself does not alter that much.On guitar, Duncan adds a handsome depth to the chuggy ambiance, with rounded, semi-drone-like tones and ringing arpeggios.' - Fingertips

(on Power Lines) 'The song sounds awesome ... the guitarist plays so loudly and ferociously that I wonder if the building expanded to accommodate it. The singer whoops with glee, relishing the words he's pushing out. There's even hand-clapping, and you know I love hand-clapping.' - Cerulean's Love Of Music